How can we make tomorrow's arts and crafts shine?

Deciphering the government plan and the Breton panorama.

They are ceramists, stone cutters, diamond cutters, carpenters or cabinet makers... Art crafts contribute to the influence of France and its regions. On May 30, 2023, the Government announced a three-year national strategy for the arts and crafts sector. Details of this plan supported by an interview with Jacques Bourniche, Métiers d'Art sector advisor at the Chambre de Métiers et de l'Artisanat de Bretagne.

"Stimulate vocations" among young people and prevent "the loss of certain skills" - these are the objectives of the national plan announced by the Government on Tuesday, May 30, 2023. This plan, with an investment of 340 million euros over three years, is jointly supported by the ministry in charge of culture and the ministry in charge of the economy. It aims to strengthen public support for the crafts sector through measures focusing on five key areas: youth, training, territories, innovation and international.

In France, arts and crafts represent over 60,000 companies and 150,000 professionals. Cumulative sales are estimated at 19 billion euros in 2019, including eight billion in exports.

Promoting art and craft among young people

The first priority is to raise awareness of the sector through discovery and practical courses. The government is proposing to open 1,000 3rd grade internship places with art craftspeople, starting at the end of 2023. The aim is to raise the profile of arts and crafts among young people, raise awareness of their potential career opportunities and encourage vocations. These offers will be available on the monstagedetroisieme.fr platform.

Onisep (L'Office national d'information sur les enseignements et les professions) will provide resources to help young people find their way around art and craft courses. The plan also calls for the creation of 730 new arts and crafts activities for 15-19 year-olds via the Pass Culture. Also on the agenda: the development of discovery workshops via a network of associations. Finally, the national furniture will launch the Petit Mob', art and craft awareness workshops for 6 to 14 year-olds.

Training to pass on excellence and craftsmanship

Artisan training is based on the transmission of ancestral skills and techniques. To ensure the long-term future of the sector, the government intends to increase the number of continuing training courses available to professionals. For art and craft professionals registered with the Chambers of Trades and Crafts, it plans to offer guided tours of the National Museums.

An apprentice training center (CFA) will also be created in the national manufactures. It will be dedicated to the decorative trades. The CFA will also be opened up to trades that have been "orphaned" by their training, or that are in short supply in fields related to those of the manufactures (textile weaving, table goldsmithing, watchmaking).Another objective of the plan is to increase the number of Maîtres d'Art. Created in 1994 by the French Ministry of Culture, this title rewards the work of transmission between the holder of the gesture and his pupil, within the workshop. This includes trades for which there is no longer any training.

The Bpifrance "Savoir-faire d'exception" Accelerator has been renewed for 2024 and 2025, to support two new classes of 25 companies. Leaders will be able to structure their businesses in depth, share ideas with their peers, and connect with the industry's ecosystem.

Placing arts and crafts at the heart of local communities

As part of France 2030, 46.8 million euros have been earmarked for the creation of local cultural and creative industry clusters, focusing mainly on art, design and fashion.

Artisans will benefit from an allowance to set up a workshop (AIA) or purchase equipment, granted by the Ministry of Culture via the General Directorates for Cultural Affairs (DRAC) in their region of residence.

The plan aims to double the number of companies with the Entreprise du Patrimoine Vivant (EPV) label to 2,500 by 2025, and to develop artisanal geographical indications such as Granit de Bretagne.

Supporting research, innovation and creation

To facilitate access to support, innovation grants will be mapped out.

To counter the possible disappearance of ancestral gestures and techniques, a digital gesture bank will enable the conservation of endangered crafts.

Developing art crafts internationally

As arts and crafts are particularly valued and sought-after abroad, the challenge is to make them more visible and to promote exchanges between French and foreign craftspeople. For example, in 2025, the French pavilion at the Osaka World Expo in Japan will be dedicated to fine crafts.

INTERVIEW. A PANORAMA OF CRAFTSMANSHIP IN BRITTANY

Jacques Bourniche, Métiers d'Art advisor at the Chambre de Métiers et de l'Artisanat de Bretagne, answers our questions.

How do you distinguish an art craft?

Jacques Bourniche: The list of métiers d'art is set by the decree of December 24, 2015. There are 281 métiers d'art in total. Nevertheless, it's not always easy to identify art craftsmen. For example: I work in stone. So, potentially, I could be in two fields. I can build dry-stone walls, so I'm a mason. In that case, I'm attached to the craft, to the building trade. On the other hand, if I work in stone, but I make statues out of it, then I can be an artisan métier d'art. In Brittany, there are 80,000 craftspeople on the register. It is estimated that between 2 and 4% of them are practicing an art craft. But it's very difficult to count them, as these figures are based on declarations. What's more, artisans often carry out two types of activity. A seamstress may be listed as a craftswoman in her NAF code, even though she doesn't just do alterations, she also creates. Art crafts suffer from poor representation and recognition.

What is the typology of craftspeople in Brittany?

J.B. In the region, we don't have, or no longer have, any large companies or factories (known as "manufactures") with more than 100-150 employees. We have small workshops, with some great success stories, such as in the glass industry in Bréhat or Quiberon. Historically, we've been based in Saint-Jean-la-Poterie, near Redon, because the clay found in the area makes this possible. To come back to the size of the companies, they are fairly small: 85% of them are one-man businesses. Craftsmen very often work alone or with two, three or even five people, very rarely more.

What about training?

J.B. You can find a whole range of trades, from CAP to Bac Pro, in CFAs attached to chambers of trade or commerce, or even in the private sector. Seventeen public and private high schools also offer training in the arts and crafts, including the new Bac + 3 DN MADE diploma: diplôme national métiers d'art et du design. This is a diploma with specialties such as glass, ironwork, upholstery...

What does the future hold for the métiers d'art in Brittany?

J.B. We've just launched a consultation to create a brand for all craft professionals, whether artists, craftsmen or self-employed. The aim is to unite Breton craftsmen under a single banner, and help them to be visible. A craftsman must not be banal; he must produce high-quality, creative and competitive work. Training must also be at the heart of our thinking, so that we don't lose our know-how. It's a theme that needs to be thought through at national level, in cohesion and sharing with the various local players.

Source

Artisans d'art in Brittany #2

Artisans d'art in Brittany #2

Transcription

Discover the invaluable expertise of Brittany's artisans!
A film produced in partnership with Région Bretagne and CMA Bretagne. Thanks to the craftsmen:
- Philippe DUPUTTE - Duo Lutherie
- Martine DURAND GASSELIN - L'atelier du verre
- Cédric LAMBALLAIS - Cutler
- Noël RUBÉ - Brocréateur